Choose the song
More than 480 are already analyzed. If yours is not there, send the chart — as a photo or typed.
PHD — Harmonic Possibilities Broken Down
Every chord with the scale, notes, triads and reasoning ready. No memorizing theory, no calculations, no guessing.
More than 480 songs already analyzed — and the library grows every week. For any instrument. PT · EN · ES.
What do you want in this song?
In one sentence
No searching through three books, no calculations on paper, no trying and hoping.
More than 480 are already analyzed. If yours is not there, send the chart — as a photo or typed.
Sound beautiful, a bit of both, or stand out. One tap. No setup, no levels.
Each chord appears with the right scale, notes and a play button. Hear it before playing with anyone.
WHAT NO ONE ELSE DOES
MATH
Finding which scales fit a chord is math. Anyone can do it with time and paper.
JUDGMENT
Knowing which one sounds best right there, in that song, is not math. It is the judgment of someone who has played a lifetime.
VERMUS delivers both together, chord by chord, already solved.
In a blind audit, Thiago reviewed 275 lines of analysis across 10 songs he had never seen. In 274 of them, the choice he would make was already on screen.
What you get
Start simple. When you want to look inside, open the full analysis — and it plays.
One scale, based on the song key. For anyone who needs to play with the band tonight without getting it wrong.
Every rule of the method, chord by chord: the chosen scale, stacked triads, arpeggio, resting note and the rule that led there.
The player stays above the chart: 1, 2, 4, 8 bars or the whole song, with loop — in all 12 keys, transposing everything together.
PHD — Harmonic Possibilities Broken Down
Each possibility is numbered by Thiago’s preference, with the notes, how often he uses it — and what he says about it. Tap ▶ and compare by ear.
Over the Cmaj7 chord
C · D · E · F · G · A · B
“This would be the perfect sound for the major chord. It is formed by five stacked triads: major, minor, major, minor, major. I call it the natural major chord because it stacks major and minor triads and has the most beautiful sound of the major scale.”
F · G · A · Bb · C · Db · E
“It has a beautiful sound, more melancholic at the end of the scale.”
A · B · C · D · E · F · G#
“It sounds great over Maj7(#9), but I also use it over Maj7, bringing the tension of both thirds.”

Who chooses the best one
“Improvising is not guessing. It is deciding quickly, clearly — and knowing why you decided.”
Thiago Espirito Santo — bassist, guitarist, producer and educator, with a 32-year career. The “HIT — How I Think” method grew from how he decides, in real time, what to play over each chord.
In a blind audit, Thiago reviewed 275 lines of analysis across 10 songs he had never seen. In 274 of them, the choice he would make was already on screen.
Toured the world for eight years with Yamandu Costa. Brought Joshua Redman to Brazil and shared the stage with Hermeto Pascoal, Maria Bethânia, Toninho Horta, Dominguinhos, Hamilton de Holanda, George Benson, Mike Stern, Airto Moreira and Flora Purim.
More than 15 albums and dozens of recordings with other artists, including an album recorded in the United States. Produced Oswaldinho do Acordeon’s “Forró Chorado,” nominated for a 2012 Latin Grammy.
Created the bass method used since 2011 across 360 Projeto Guri centers. Founded Música Sem Mistérios and Bass Evolution, which have taught more than 8,000 students.
One of Brazil’s greatest bassists.
One of the best jazz musicians that you will ever hear.
Recorded and performed with Hermeto Pascoal · George Benson · Maria Bethânia · Yamandu Costa · Toninho Horta · Dominguinhos · Hamilton de Holanda · Joshua Redman · Grégoire Maret · Airto Moreira · Flora Purim · André Mehmari · Kiko Loureiro · Robertinho Silva · Arismar do Espirito Santo — among many others.
Plans
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Included in every plan:Quick Mode and HIT — How I ThinkPHD — Harmonic Possibilities Broken Down for every chordplayer in all 12 keysfull librarycharts from a photo or filePT · EN · EScancel anytime
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Before subscribing
No. Each song opens with one decision and nothing else: what to play on every chord. Full analysis only appears when you ask for it.
Yes. The method is harmonic and works for any instrument that improvises over chord charts.
Because the method thinks in harmonic fields and degrees, not isolated modes. Saying “4th degree of the C Major Field” shows where the scale comes from. A modal name hides that.
No. Thiago analyzes new songs every week, and everyone gets them at no extra cost.
Yes. It is stated in the Terms of Use as a company obligation while the subscription remains active and uninterrupted.